"I’ve been working with Don Jacobs and In Concert Audio (previously Midnight Express) for just under 10 years. We started collaborating when I ran the BAMcafe, BAM’s eclectic music venue. I have since worked with Don at many venues, including the Whitney Museum where he is the equipment and production services supplier to Whitney Live, the Museum’s Performing Arts program. Don and his associate Serena are reliable, efficient, timely, friendly, creative and a pleasure to work with. They either predict and avoid problems, or solve them creatively and elegantly. I have recommended Don and his company to many colleagues and friends who have all been as satisfied as I have. In this business, having a reliable production partner is an exceptional asset; I intend to continue my long-standing partnership with Don!"Limor Tomer, Curator of Live Performances
Whitney Museum of American Art
"Don Jacobs has the best ears in New York. He enjoys the versatility of understanding both interior and outdoor spaces and the need for them to be tuned. I utilize his talents and continue to use them."Earl Tucker, Director, Trinity Concerts Inc.
Former Director, Performing Arts Wave Hill
Former Director, Performing Arts Jamaica Arts Center
Former Director, Performing Arts Fund for the
Borough of Brooklyn
"I want to thank Don and his wonderful staff for the years of support his company has provided to our Community Center. In Concert Audio has provided great sound for over 60 events in the last four years here at the JCC, as well as at off-site locations such as Riverside Park and Symphony Space. The artists who perform for the JCC respect his sophisticated ear and touch. Don’s design consultation for improving our sound system in the JCC Theatre has also been invaluable."Jeff Fontaine, Audio Visual and Theatre Production Manager
The Jewish Community Center in Manhattan
"City Lore has been pleased to work with Don Jacobs through the years. Whether it’s for backline instruments or a basic sound system for poets, bands, and video projects, we know we can always count on Don ... And at extremely reasonable prices! This is a rare treasure for a non-profit arts organization."
Elena Martinez, City Lore, Folklorist
"The great thing about Don Jacobs and his company is that he has worked in every possible situation from doing sound for a jazz combo in a small venue to an orchestra in a large concert hall. You can count on them to be on time, accommodating to your needs, and most of all, very professional."
Bobby Sanabria, Grammy-nominated drummer, percussionist, and band leader
"Since 1996, I have had the pleasure of working with In Concert Audio as our primary audio support company for our larger live symposiums. I have learned to rely on and trust the consistent quality of performance and professionalism of Don Jacobs. The people at In Concert Audio are masters at making our live conferences an easy success every time. Consistent in approach, always professional, striving to meet excellence in sound reinforcement, their performance has been a marked success for our performance. Thank you In Concert Audio!"Ivan Rodriguez
Associate Facilities Manager, Brooklyn Law School
"When my band (Golem) works with Don and Serena, we get 110% support and great sound too. It always rocks!"Annette Ezekiel, Golem
"For over four years, our Legacy Musical Series has benefited mightily from the quality and consistency of In Concert Audio’s production equipment, efficiency and timeliness. Don treats our productions as if they were his own. We give a ringing endorsement to In Concert Audio."Cantor Jacob Mendelson
Temple Israel Center of White Plains New York
DON JACOBS
Born August 2, 1944, Houston, Texas.
Lived in New York City since 1969.
EDUCATION
Classical oboe and jazz tenor sax at Jefferson Davis High School, Houston, plus private instruction
Member Houston All City Symphony Orchestra, 1956-60
Member Jefferson Davis AllState Jazz band, 1957-61
Member Rice University marching band, 1957-61
University of Texas (Austin)-BA in Political Science (1966)
University of Massachusetts, Master of Arts in Teaching program, 1969-71
New York University Reading Remediation Specialist Program, 1973-75
EMPLOYMENT
US Peace Corps volunteer, 1966-69, egg production specialist, Calcutta, India
US Foreign Service training program, Feb.-June, 1969—resigned to become a NYC public school teacher
NYC Board of Education classroom teacher in Junior High School (American History, Remedial Reading), and in Elementary School, 1969-1992
Midnight Express, my live sound and production company, 1979-present
SAE Institute, NYC, staff instructor in live sound engineering, 1999-2001
Touring Front of house live sound engineer for Debbie Friedman, doing 2-3 shows per month in 750-2000 seat venues, 1998-2002
EXPERIENCE IN LIVE EVENT ENGINEERING/PRODUCTION
1987-Present, Circuit Productions sound designer and production manager for Jazz, Tap, and World Music performances throughout the New York metropolitan area
2004-Present, Whitney Museum of American Art, supplying sound systems and backline musical instruments for the Whitney Live series, and the Steve Reich birthday celebration, 2006
2002-Present, Jewish Community Center in Manhattan, supplying sound equipment, backline, sound design, and live sound mix engineering for varied musical, spoken word, dance, theatrical, and children’s programs, indoors and out
2003-Present, Ford Foundation, NYC, supplying live recording and sound equipment, and engineering for receptions and conferences
1999-Present, The Vision Festival, NYC, supplying live sound and recording equipment, and engineering for this week long international festival of Free Jazz
1985-Present, Klezkamp, Various Catskills (NY) hotels, supplying live sound and recording equipment and engineering for this week long international festival of Yiddish culture and music (Klezmer)
1988-1998, 4 Ethnic folk festivals every summer, each with two main stages running for 3 days for the United States Parks Service at Gateway National Park, Brooklyn, NY. , audiences ranging from 5,000-25,000
1985-1997, The Great American Ski and Travel shows, 3-4 day trade/consumer shows in large exhibition halls in New York, Boston, Philadelphia, Baltimore, New Haven, and Atlanta. Managed and supplied equipment for 4-6 stages running continuous lectures, fashion, and musical presentations, 10 hours/day, plus after parties and several outdoor cross country ski exhibitions
1984-1994, The Brooklyn Philharmonic summer parks concert series for audiences of 2,000-5,000
Summer 1981, and 1996, Technical Director for the Brooklyn Arts Council (BAC), 4-5 days per week, presenting outdoor concerts at parks, and street fairs involving every genre of ethnic music, Rock and Roll, Jazz, and Classical for audiences of 500-1500.
July, 2000. Technical Director for World Festival, 2000, at Fort Hamilton, Brooklyn. Managed all technical production, sound, and lights for 3 stages over 4 days, noon-10PM
1996-2000, Technical Director and managing board member of the NYC Labor Chorus. Produced all of their major performances in several concert venues in NYC, and recorded/produced 3 of them live for later CD production for sale.
1998-2001, touring front of house sound engineer for Debbie Friedman and her band. 2-3 performances per month all over the US and Canada, at synagogues, concert halls, and festivals to audiences of 750-2,000.
1979-Present, weddings, parties, corporate events, DJ events, political rallies, Black (and other ethnic) History celebrations, meetings, contemporary dance events, and live recordings too numerous to mention
REFERENCES
PROFESSIONALDon Wade, Collegium Sound Systems, 718-426-8555
Limor Tomer, Curator of Performing Arts, Whitney Museum, NYC, 212-671-8345
Jeff Fontaine, Technical Director, Jewish Community Center, NYC, 646-505-4438
PERSONAL
Anthony Bowman, 212-410-2698
Cypress Dubin-Snyder, 646-781-6114
Bernard Lesser, 347-672-4984